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Nicholas (Nikolaos) Athanasiou Peppas was
born and raised in Athens, Greece. He studied chemical
engineering at the National Technical University of
Athens (Dipl. Eng., 1971) and at the Massachusetts
Institute of Technology (Sc. D., 1973). While at MIT, he
pursued a minor in comparative linguistics.
Peppas’ extracurricular interests include
Byzantine history of the 10h and 11th century, European
history of the 19th century, opera, and operatic record
collecting. His interest in history was initiated at an
early age through the influence with several family
members who were archaeologists (his maternal
great-grandfather, Athanasios Rousopoulos (1823-98), was
Professor of Archaeology at the University of Athens
(1858-80)) (link) or historians, including his
father Athanasios Peppas (1903-83). Since 1966, he has
studied Greek and Byzantine history, and has specialized
on the times of the Macedonian dynasty of the Byzantine
Empire and more specifically the period 976 to 1025. He
has published twenty-six articles on the Byzantine Empire,
the history of Attica and related subjects.
He has also contributed articles to various
literary journals and newspapers. For example, he was a
major contributor to the 1968 and 1978 Tourist Guides
of Greece (Institute of Tourist Publications, Athens,
Greece). More recently, he has contributed articles in the
magazines Eleusinian and Hellenic Chronicle,
and the newspapers Kathimerini (Daily), and Vima
(Tribune). He is the author of an unpublished book on the
Genealogy of Emperors of the Byzantine Empire.
While at MIT, Peppas pursued a minor in comparative
linguistics, with studies of French, German, Italian,
Spanish, Dutch, Portuguese, and Russian.
Peppas is an avid operaphile. His
introduction to music was through studies of the Byzantine
Music (1964-67) in the class of Diamantis S. Mavraganis
(1932- ) in the
Hellenic
Conservatory of Music of Athens. Although he never
completed these studies, due to his more practical
interests, he continued his musical studies in classical
voice (baritone, 1967-71).
Since 1976 he has published essays,
analyses and critiques, especially about Italian, French
and romantic German opera. He has published in Fanfare,
High Fidelity, Stereo Review, International Opera Record
Collector, The Record Collector and other magazines.
He has published two books:
-
Vasso Argyris: The Great Greek Tenor of the Interwar
Years, Demetra Publishing, 2008,
and
-
Greek Light Music of the 1935-1975 Period, Demetra
Publishing, 2008.
He is presently preparing a book on
Athenian Opera and Operetta from 1895 to 1930 and
editing a Discography of Greek Opera Singers to be
published in 2009.
Since 1997, he has concentrated his
research on the biographies of a number of noted Greek
opera singers of the past. He has prepared extensive
biographies and annotated discographies of the tenor of
the Berlin Staatsoper and the New York City Opera Vasso
Argyris (1907-76), the tenor of La Scala Nicola
Filacuridi (1924- ), the soprano of the Paris Opera
Elen Dosia (1913-2002), the celebrated Greek tenor
Michael Theodore (1939- ) who had a radio and record
career in Germany, the lyric tenor Antonios Delendas
(1902-1966), the celebrated Greek soprano of the Scala di
Milano Rena Gary Falachi, (Rena Garyfallaki ,1920-
), the bass Petros Hoidas (1914-1977), the tenor of
the Vienna State Opera Petros Baxevanos
(1904-1982), the tenor of the Lyric Opera of Athens
Nikos Hatzinikolaou (1929- ), and the internationally
known Greek singers Nicola Zaccaria (1923-2007),
Nicola Moscona (1907-1975), Kostas Paskalis
(1929-2007), Efthymios Mihalopoulos (1937- ), and
Pavlos Raptis (1938- ).
His extensive collection of operatic 78-rpm
records includes many rare Berliner, red, orange, purple
and black Gramophone and Typewriter (G&T), Fonotipia,
green and blue Zonophone, predog Victor, Odeon,
Pathé, Favorite, ERA, Eaglephone, Fonotecnica, Aria Disc,
Beka, Ancor, Homokord and Phonodisc-Mondial
records from the period of 1898 to 1912. Peppas has an
extensive collection of early records by Greek opera
singers of the 1895-1925 period. These include very rare
records of Pericles Aravantinos (Aramis,
1854-1932), Giovanni Apostolou (1860-1905),
David Yuzhin (1868-1923), Nikos Moraitis
(1880-1938), Mihalis Vlachopoulos (1873-1956),
Eleni Theodoridou-Vlachopoulou (1885-1936), Thalia
Sabanieva (1895-1965), Heracles Economides
(1882-1964), Costa Milona (1897-1949), Lyssander
Ioannides (1900-?), Cristy Solari (1888-1974),
Ulysses Lappas (1881-1971), Dimitris Kryonas
(1886-1946), Anna Kryona (1890-?), Artemis
Kyparissi (1885-1968), Nikos Kokkinis (1862- ),
Stella Kokkini (1870-1940), and Heracles
Pashalides (1878-1938). He has also rare recordings of
the 1930-40 period by Vasso Argyris (1907-76),
Elen Dosia (1913-2002), Tanos Ferendinos
(1916-?), Antonios Delendas (1902-66), and
Margherita Perras (1908-84).
He is a member of the Lirica di Parma
and the Metropolitan Opera Guild, and was listed in
the 1993 Who's Who in Music.
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